Saturday, February 17, 2024

About Books: The Dark Faery Series by Bridget McGowan

 


Sometimes my books aren’t based on what’s running around in my head.

Back when the Twilight saga was about to appear on the big screen – does anyone remember the huge outcry when it was announced that Robert Pattinson was going to play Edward? – I hadn’t yet read the books.

I had, however, read several vampire novels. Some of those, like the Anne Rice novels, were mostly good reads. Others were simply abysmal. One author used the same words to describe his character so many times that if I ever see or hear someone described as having a rictus smile again, I will have to at least maim the person describing it. And the same goes for the word orb.

My nieces introduced the Twilight books to my husband and me. It was nice, light summer reading. And we finished the first two books in time for the opening of the first Twilight movie.

Later in the summer, I was visiting a friend of mine for the weekend. She had a daughter who was about 15. She was enamored of the books – and Robert Pattinson – at the time. She also knew I wrote stories, although I didn’t know whether or not she’d actually read any of them.

During a visit to my friend’s house, the girl and I were having a conversation about what we liked best in the movie and some of the terrible vampire novels I’d read when she said, “I bet you could write a good vampire story.”

I had never considered doing that.

I thought for a moment.

“Well, mine would not sparkle. And no one would have a rictus smile. I’d need to do something unique.”

She agreed, and we went on to discuss other things.

“How about vampire fairies?” I asked sometime later.

“Oh, I would definitely read that!” she replied.

I had my audience. All I needed was my world and a cast of characters.

A little later her mother, the girl, a few of her mother’s friends and I were out exploring and came upon an old graveyard. We decided to explore. As we were walking along, studying epitaphs, I saw the name Teilo on one of the gravestones. I’d never encountered that name before, but I liked it.

Pretty soon, Teilo, who was to be the hero of my story, had a last name: Feather.

By the time I got home, I had a village or four made up of fairies. They lived under bushes, in trees or in the remains of things humans had left behind. But I changed the spelling. They were Faeries. They had a pre-medieval culture, consisting of priestesses and druids to take care of the religious aspects of their lives, and the faeries were divided into clans according to what jobs they performed.

The Celestials were the astronomers as well as the sea-faring clan. They sailed the small sea (a.k.a. the Irish Sea) in craft made of walnut shells.

Occasionally, if the need arose to visit the island across the small sea (Ireland), they might stow away on a Human ship. They could easily hide, and the amount of food they needed would never be missed by the larger beings.

The Cantares were the singers and musicians. They received training in music and went on to entertain or provide music for solemn occasions.

The Mercifuls were the medical people: Doctors, nurses, midwives, apothecaries, and other scientists of similar interest.

The Benevolents were mainly everyone else. They provided the blacksmiths, leather workers, seamstresses, bakers, bankers and so on.

Being born into a clan wasn’t a life sentence. If a child from a Benevolent family was musically inclined, he or she could join the Cantares once basic education had finished. Or a doctor’s child could grow up to become a Benevolent. There was free mingling among the clans.

And then there were the Dark Faeries. The priestesses had an uneasy and only occasional relationship with the Dark Faeries. They knew what the Dark Faeries were: Vampyres.

The only reason there was any relationship between priestesses and Vampyres was that a plague had spread through the Light Faery population. It had decimated the Light Faeries. And the Dark Faeries required blood. So there was a truce agreed to between the priestesses and the Dark Faeries that the Vampyres – except for the renegades who answered to no one – would leave the Light Faeries in peace and feed on Humans, instead.

This was beneficial to both. Humans wouldn’t be hurt or killed by being bitten by a Dark Faery. It was no worse than a mosquito bite, if it was noticed at all. While their blood wasn’t as tasty as Faery blood, they didn’t need to be bitten on the neck. Their veins were large enough for the Dark Faeries anywhere on a human body. The only danger to the Dark Faery who attacked a human was that it might be squashed if the Human happened to feel the bite.

This also saved the Light Faery population from being further depleted by Vampyre bites. Only those who ventured out into the deepest woods at night had to fear the renegades.

Enter Shauna Faun. This is a musical band. Their music is sought after by the young Light Faeries, who look for concerts given by the band. But parents have heard non-specific whispers about the band, that they have some evil about them.

The truth is, Shauna Faun is a band made up of Vampyre Faeries. These Dark Faeries have sworn an oath not to attack concert-goers, and the youth flock to them, despite the condemnation of the band from the priestesses, because no one has told the young people that these band members are Dark Faeries.

Now, with my world created, I was ready to write the first novel in the series: Dark Faery: The Benevolents.

 

Thursday, February 1, 2024

TV Worth Watching?

 


 

Whenever I see a post on Facebook asking who can say they’ve never seen a single episode of the Kardashians, the number of responses makes me wonder who actually is watching the show, and why it’s still taking up space on TV.

They appear to be a group of rather unattractive women – imho—who are fake from the false eyelashes so thick one wonders how they can even open their eyes, to the “enhanced” breasts and bums, and the claw-like fingernails. I have yet to hear of any talent. I believe one of them has her name on a line of bras. I’ve seen the bras. They’re nothing special.

All of them seem to change husbands the way the rest of us change underwear. And with the exception of the one whose surname is actually Jenner rather than Kardashian, their fame stems from their lawyer father’s having defended O. J. Simpson in his murder trial.

What I know of these people I’ve learned from magazine covers at the checkout counter of the grocery store. I don't even open the magazines. That shows what a dearth of real information there is in the checkout aisle.

I wonder why anyone would care what such people do. They follow the previous famous-for-being-famous daughter of Lionel Ritchie – her name escapes me, if I ever knew it – and Paris Hilton. Both demonstrate what people will allow you to do when you have enough to pay them to do what you want.

The Real Housewives of Pretty Much Anywhere (Dallas, Atlanta, Okeyfenokey Falls) is another example of the depths to which television has plunged.

When I think of housewives, I think of my mother and her friends getting together around someone’s kitchen table, drinking coffee and discussing their kids or grocery prices, or how much housework they still need to get done.

I don’t think of the catfights I’ve heard often punctuate episodes of “real” housewives. I saw enough of catfights on Knott’s Landing and Dallas the few times I tuned in to those shows in the ‘80s. And I never even cared who killed JR.

The closest I’ve come to watching “reality” TV is tuning in to Jeopardy, which is to a reality shows what watching a game of Monopoly is to real estate. I watch mainly to see if I know the answers.

I certainly don’t root for the multi-game winners. I find the likes of Ken Jennings, Matt Amodio, and James Holtzhauer -- who after all, is a Las Vegas gambler -- to be smug and overbearing. I’m happiest when someone comes from behind and beats out anyone acting smug.

I do sometimes watch the DIY shows, mainly to get ideas for things that might look good in my house – I got the idea to look into glass railings on my stairs (too expensive) to replace the ugly black, wrought iron ones we have from DIY shows – or more often just to see if I like what’s apparently all the rage at the moment.

Unfortunately, avocado green, completely open concept houses, ship-lap and subway tiles seem to be the only thing the newest crop of flippers and interior decorators can think of. 

While open concept is okay when not overdone, I hate the color avocado green, and have since it was last in style in the ‘70s. I also would fire anyone who even hinted they were putting ship lap or subway tiles in my home. 

When we moved into our house, the bathroom had those icky pink and grey tiny public restroom floor tiles. We got rid of them as soon as we could.

Add to the same-old-same-old, interior decorators are now including their divorces, their trips to the doctor for in-vitro fertilization visits, and other things that should remain private into their shows. I’m revolted by all of that. Get back to house remodeling, and leave your personal life at home.

The only reason I’ve ever seen a minute or two of “The Bachelor” is because the producers can’t maintain their time limits, and nearly every week they run over into when an actually watchable show, like “The Good Doctor,” is supposed to be on. Maybe if they had to cut out a couple of commercials for prescription drugs --  which I still don’t think should be on TV --  instead of interfering with TV worth watching, they’d get a better handle on time management.

Show of hands of those who actually think some single man or woman will actually find love among a couple of dozen members of the opposite sex set on lying, cheating and backstabbing their fellow contestants? Crickets? What is the allure of 20-somethings behaving badly? Has the show ever produced an actual marriage, much less a happy one?

But as badly behaved as those on “The Bachelor” seem to be (from what I’ve seen on commercials), they don’t hold a candle to the judges of one of the “talent” shows. 

Years ago, I suppose as a way to ape mean girls, they allowed a contestant to spend weeks being laughed at because he couldn’t carry a tune in a bucket rather than telling him at the initial audition that he wasn’t good enough to be on the show. When I heard about that – I think it was even on the evening news – I determined I would never watch any of those so-called talent shows. It’s reprehensible that the judges could behave in such a bullying manner. Even, "You're the weakest link. Goodbye!" is kinder.

And when you look at what these shows actually produce, besides Kelly Clarkson and Adam Lambert, what winners of these shows have gone on to successful music careers? I’ve never heard of any others charting on the top 100, much less the top 40.

While Adam Lambert has worked with Queen, Kelly Clarkson is advertising for Wayfare and running a talk show. Hardly the career dream of someone trying to break into the music industry. Why isn’t she touring and recording instead of selling sofas and hawking Deals and Steals?

When I look at what’s on TV today, frankly, I think we had better selection when we only had three TV stations, and everything was in black and white.