Thanks for the Memories?

 

 

Memory is a funny thing.

I have very clear – if few—memories from when I was three and four, albeit long ago in a village not-so-terribly-far-away, but I don’t remember the 1990s.

I remember clearly all of the intervening decades, but the 1990s – indeed the first decade of the 2000s as well – escape me.

Don’t interrupt – at this point in every story, someone interrupts with a fact that I know. Just wait.

Yes, I remember that near the end of the 1990s Princess Diana died. That’s my “Do you remember where you were when” moment. The people who eventually bought our townhouse came to see the house during the televised funeral.

Overshadowing the keen desire to move out of a townhouse and move into Oz – I mean Hopewell -- was the week or so of news video of the crash, theories of what – or who – caused the crash and my personal surprise of, wow, she was dating? She dated that guy? I never heard of him, but no matter how rich, I think she could’ve done better. Shows how little I paid attention to rag journalism.

But that death is simply a reminder that I do remember the ‘90s.

I met my husband at the beginning of the ‘90s. We married mid-‘90s, and Diana died at the end. But what I actually mean is I don’t remember the music.

Music has always been important to me. My earliest memories are set to a background of my mother singing Doris Day songs while she was doing housework or “Baby of Mine” when I was sad. She had a beautiful voice, and her relatives often said they had expected to hear her sing at Carnegie Hall one day – if only the depression and her working class upbringing hadn’t made that impossible. (Not to brag, but I’m the one who ended up singing at Carnegie Hall.)

I remember once rounding up my relatives, who were at our house for some occasion, and singing “When Irish Eyes Are Smiling”, and basking in their applause when I finished. Not bad for a shy four-year-old.

The bottom edge of the ‘50s and pre-Beatles ‘60s were musically all about Ricky Nelson for me, as well as “Itsy Bitsy Teeny Weenie Yellow Polka Dot Bikini” and Alvin and the Chipmunks.

Then there was the British Invasion in my formative eight-year-old brain. Figuring out math problems and learning to spell were set to the music of my youth.

I relied on the Monkees and Herman’s Hermits to keep the psychedelic late ‘60s music away. When I learned that the Monkees introduced the world to Jimi Hendrix, I was furious. How dare they? Of course, Jimi, Janis Joplin and the Doors, etc., were the worst thing that could happen to music as far as I was – and am – concerned, although, oddly, I liked Jefferson Airplane.

I’ve always considered the ‘70s as the worst decade of music, starting as it did with the drug-induced psychedelia, and ending with disco. But on closer inspection, it wasn’t all bad.

I liked folksier aspects of ‘70s rock: Three Dog Night; Peter, Paul and Mary – and no matter what anyone says, “Puff the Magic Dragon” was a song about a dragon, not drugs – Crosby, Stills and Nash; Carly Simon; Joni Mitchell; The Moody Blues and Dan Fogelberg made the decade worth living in for me.

I also discovered what was being called alternative rock: Emmerson, Lake and Palmer, King Crimson, David Bowie and Renaissance, among others, and love it.

Of disco, the less said, the better. I did like the Bee Gees, but I liked them before Barry Gibb discovered his falsetto.

For me, the ‘80s came as a relief. Bell bottoms, body suits and leisure suits went away – as did the acid rock performers – well, many of them died of drug overdoses.

Music exploded into the kinds of songs I craved: OMD, Duran Duran, The Thompson Twins, Tears for Fears, The Fixx, Wham, and so many others, especially from the UK, that it was basically a second British invasion.

People would say my music should be ‘70s, since those were my high school and college years. While I liked the folk and alternative of that period, I liked the ‘80s music better.

Although I graduated from college in the ‘70s, the career I’d trained for failed to materialize under the guise of Catch 22 – you can’t get a job without experience, which you can’t get without a job. So I experienced a rather elongated adolescence,working in my 20s in jobs my peers had done in high school.

As I worked on a variety of short-term jobs for which I was desperately overqualified, my peer group became increasingly younger. My interests simply didn’t correspond with my married-with-children friends from high school, and my wages weren’t even enough to allow me to buy a decent car.

By the late ‘80s, I’d held most of the jobs I said I never wanted to do – except become a parent – and I returned to college to train for a career that I was not that keen on, but that I could actually get upon graduation, and make a decent salary into the bargain.

Having just emerged from a 2-year course of study that caused me to lose track of most of the music from the final two years of the ‘80s, the ‘90s appeared.

Yes, stuff happened in the ‘90s. I returned to fencing, joined a writing group for the brief few months that it lasted, met my future husband, and got my first computer. I know there was music, but I was still listening to the ‘80s stuff I’d so loved.

There was also a lot of personal chaos for me in the ‘90s. I discovered there was no dearth of backstabbers and gas lighters in my job, making me feel constantly on the defensive.

On top of that, I had to dodge blind dates. People tried to convince me some guy I wouldn’t have shared the answers to a quiz with was “perfect” for me. Translation: you’re single; he’s single. One girl told me she personally thought the guy she introduced me to was a jerk. (I guess I learned what she thought of me!)

Fortunately, I met my future husband when I wasn’t looking (well, I was looking. It was across three feet of steel, and I managed to get the fencing touch while he was posing in his lunge.) Until a few weeks before he proposed, I hadn’t entertained the idea that he ever would.

 Of course, people asked all the preposterous questions based on my age at the time. What marriage was this for me? (First, last and only. If it didn’t work, it would’ve been the universe’s way of saying I shouldn’t be married.) Why did you wait so long? Geez, I married the first guy who asked!

But through all of that, while there was music, I’m not sure what it was. There wasn’t a British Invasion. There was no singer I combed gossip magazines for pictures of. There was nothing to hang the music on. Instead, I began following certain actors' careers.

There was one song: “All for One” by Sting, Rod Stewart and Bryan Adams. It became our song. Why? It was the theme song for a swashbuckler film. My husband I are fencers, and we both like the Middle Ages and Renaissance periods of history.

So, wracking my brains, I’ve come up with artists I think were from the ‘90s: The Manic Street Preachers, Tokio Hotel, Toad the Wet Sprocket, Five for Fighting and The Goo Goo Dolls.

I could be wrong. They might be from the early 2000s. I’m not sure. I’m no longer on the cutting edge of pop music. I know I have their CDs, whenever they were.

Maybe it’s just that current music doesn’t interest me. Most things seem to be (C)rap, hip-hop or Cher sounding like she’s singing under water (“Do You Believe”). The couple of Taylor Swift songs I’ve heard are pretty good.

So, I guess I’ll just go back to my ‘80s music and try to figure out what, exactly, Simon le Bon is singing in “Union of the Snake” and leave the next era of music to someone else.

Parents

 

It’s often said that teenagers think their parents know nothing, and suddenly, when those teens reach their 20s, their parents become intelligent again.

That was not my experience.

I wasn’t the kind of kid who got into trouble. Most of my school friends didn’t live near me, so I didn’t get to hang out with them. Those who did live near me had jobs. I couldn’t get a job, even after I got my driver’s license because people didn’t believe I was old enough. In those days there was no photo on the driver’s license. When I was 16, most people thought I was about 13, if that.

The people I spent the most time with were the other people who were in the church guitar group with me. We had an adult who ran the group. We met at the church on Tuesday evenings to rehearse. Occasionally, we went somewhere afterwards, or had a Saturday afternoon outing. In those cases, the leader told the parents and gave them a time to expect us home. On school nights, other than Tuesdays, I was home, doing homework or watching TV.

I wasn’t terribly burdened by peer pressure. I didn’t do things simply because someone else did it. Smoking was one of those things.

My father smoked. There were ashtrays in nearly every room of the house. The stench of smoke was usually somewhere, except in the daytime, when my father was at work.

Whenever we went to Philadelphia for the day by train, we would meet up with my dad, who worked in the city, and after dinner, take the train home. Traveling with him meant spending the entire ride in the smoking car, with its persistence of concentrated smoke that not only clung to clothes, but also burned the eyes and made breathing difficult.

I’d had summers filled with getting cigarette ash blown into my eyes and onto my clothes when my father flicked cigarette ashes out the window during drives in a car without air conditioning.

In addition, every morning I awoke to the sound of my father coughing long enough and hard enough to make me expect to hear a thud on the floor from his fall, bereft of breath. That it never came was a daily wonder to me.

My eldest brother was exposed to the same thing for longer than I had been. That he had started smoking himself at 14 or 15 was beyond belief.

His friends smoked. They all thought it was cool or sophisticated or simply grown-up. While my friends and I pretended to smoke when we were given those disgusting chalky mint flavored candy cigarettes at the corner store, I never would have considered ever taking up smoking. And I made that decision when was only seven or eight.

While this was the early ’60s, before the Surgeon General’s warnings on cigarette packets, it didn’t take a rocket scientist to figure out that weeds wrapped in paper, lit on fire and the smoke inhaled into your lungs wasn’t going to be good for you. That was an eight-year-old’s conclusion. What was wrong with the adults?

My parents had forbidden my brother to smoke. He was apparently not able to figure out that he would eventually have the same cough as my father. Or that my mother, who didn’t smoke, could smell the smoke on his clothes and his breath. It apparently never occurred to him that if he was going to sneak smoking, he should at least use mint gum or mouthwash to hide the fact. He thought he was getting away with something, even though on at least one occasion he was careless enough to leave a lit cigarette on the windowsill in the bathroom. I found it.

My mother tried bribing him, promising that if he didn’t smoke and waited until he was 16, she would buy him a pipe.

I never understood what was so magical about waiting until age 16, or how a pipe was any better than a cigarette. A more treatable cancer, perhaps?

My father eventually overruled my mother, perhaps recognizing that my brother was simply sneaking cigarettes and lying about it. Why else would he suddenly be interested in walking the dog every night?

When my brother was a few months shy of 16, my father told him he could smoke. It took him until his mid-60s to finally succeed in quitting.

When my peers tried to pressure me into smoking, I said, “No thanks,” and made no secret of how stupid I thought anyone who smoked was.

At the cusp of my teen years, I had two friends I chose to let go. Each, at different times demonstrated that they thought shoplifting was cool. I was not about to be a party to that. Even though I wasn’t participating in the theft, I didn’t want to be caught with either of them and be tarred with the same brush. In each case, the girl wouldn’t listen to me, so I walked away, and that was the last time I had anything to do with them.

I wasn’t some goody-two-shoes. My non-smoking brother and a friend had decided several years earlier to try stealing something out of the local grocery store, just to see if they could get away with it. They, of course, were caught.

In those days, the store manager called your parents rather than the police. I well remembered what my father had done to my brother once they got home, and assumed it would go worse for me if I ever tried it, having not learned from my brother’s mistakes. Besides, both girls’ behavior was so far from my moral compass that I didn’t think they were worth remaining friends with.

Where my parents and I were at odds during my teen years was my not being allowed to do things they let my brothers do, for no better reason than that my father had failed to give me a Y chromosome. The double standard rankled.

What I didn’t know when I was a teen was that women in the U.S. at the time didn't have a lot of rights. They weren’t even allowed to own their own credit cards. Married women had to have their husbands co-sign for credit cards, and banks could refuse to issue a credit card to an unmarried woman up until 1974, the year after I graduated from high school.

While I was still in college, I was sent an application for my first credit card, which was, I believe, from Macy’s. I applied simply because I could. Once I received that, I had my entre into the world of the credit cards I actually wanted.

I was always good with finances. I didn’t spend simply because I had plastic. I only bought what I needed and could pay for.

My parents tried to instill fiscal responsibility in the three of us kids. They succeeded with two of us. The other, not so much.

My parents didn’t buy us just anything we wanted. If one of my friends got something I dreamed of having, I might ask for one. We generally only got gifts for birthdays and Christmas. It was rare, indeed, if I got some inexpensive toy if there was money left after the grocery shopping was done. First of all, such toys were often cheaply made, and wouldn’t last. Secondly, we had no reason to expect a gift if it wasn’t a birthday or Christmas. There were poor children whose parents could only afford such toys, and they should really be left for them.

If I pointed out that one of my friends had something I wanted, my mother would flippantly suggest I go live with that child’s family. My other option was to save up for what I wanted.

In our family, once we started school, we were given an allowance. At that age (6) I received 25 cents a week. My brothers were older, so they received more.

Allowance was originally meant to be a payment for doing specific chores. My mother never ended up liking the way I did any assigned chore. I made too much of a mess washing dishes, didn’t dry the silverware sufficiently, and did a dreadful job making the bed. She didn’t trust me to dust her breakable knick-knacks, and I always ended up setting the table backwards (cutlery on the wrong sides)because I was left-handed.

My incompetence in chores I wasn’t interested in doing wore her down. Eventually, none of us did chores, but we still received our allowance. My parents wanted to teach us how to handle money.

I remember the excitement every four weeks when I could exchange my four quarters for a dollar bill.

We each had a Band-Aid tin to keep allowance in, in the top drawer of the buffet in the dining room. Each was slightly different, so everyone knew their own. My parents had zero tolerance for thieves, so no one had to worry about anyone touching an allowance box that wasn’t theirs. 

For those who think I'm giving too much away, my parents are both dead, the house sold, the furniture elsewhere. I don't even have a buffet in my dining room, so you won't find money there if you come to rob me.

We each had piggy banks in our rooms, and I don’t know why our allowance wasn’t kept in those. Mine was a silver plated pig given to me for my Christening. I kept money that other people gave me in that, but never my allowance.

If we wanted something our parents weren’t going to buy us, we could save up for it.

I’ll never forget my first allowance purchase. I was six. There was a doll in Woolworth’s that I wanted. I asked my mother if I could buy it with my own money, and she said yes. It was $1.97. By my reckoning, I needed $2, and I’d get 3 cents change.

I had to save for two months.

Each time I was in Woolworth’s, I’d check to see if the doll was still there. Fortunately, it wasn’t a popular doll, a no-name in the age of Barbie.

Finally, I received my eighth quarter, and begged my dad to take me to get the doll. (My mother didn’t drive at the time). It was Friday night. I’m sure he was tired from working all day, but he drove me to Woolworth’s.

When I got there and claimed the doll, I took it to the cashier. I was excited. I had the self-control to save for something I wanted, and this was my first big purchase.

I put my money on the counter while the cashier rang up the sale. I was all set for my three cents – maybe some penny candy? – when my world fell apart.

“Two dollars and six cents,” the cashier said.

What? The sticker said $1.97! Why was she charging me more? Was it because I was a kid? My dad was right there.

I turned to him, tears starting in my eyes,

“I don’t have enough money. She charged me extra,” I said.

He chuckled. No one had mentioned sales tax.

He could have made me leave without the doll, but he’d made the trip. I’m sure he didn’t want to make it again the following week for six cents. After all, no one had explained sales tax to me. He reached into his pocket and pulled out some spare change. He handed the extra six cents to the cashier and I went home happy, even if feeling as if an injustice had been done.

“They charged me extra,” I said once we were in the car.

On the way home he explained about taxes. I still didn’t think it was fair, but I had my doll.

My next project was saving up $10 to open a savings account. I had to save for nearly a year to do that, but I was determined, and when I opened my first bank account, every cent was mine.

When I wanted to do a semester abroad in college, my parents couldn’t afford to send me. They told me I’d have to pay for it myself if I wanted to go, so I got a job in the dining hall, and squirrelled away the money I made for two years.

My mother surprised me by giving me the money she normally would have paid the university for my dorm fees, since I wouldn’t be in the dorms that term. She still had to pay the tuition because of the way the program was set up. But the dorm money helped tremendously, and they’d taught me to work and save for what was important to me.

Even though most of the students I went abroad with had parents who could afford to send them and give them a summer in Paris as well, I knew mine couldn’t. I never thought it was unfair that I had to save my own money. My brothers had never been given trips to Europe, and I had no reason to expect it. All I ever asked for was permission.

I had friends whose parents bought them brand new cars when they graduated from high school. My own parents never owned a brand new car themselves, and wouldn’t have been able to give me a used one – nor did I need a car in college. When I graduated, my gift was a set of suitcases so I could get my clothes back and forth to college. Those friends had gone to public school, so perhaps what they saved on Catholic high school tuition allowed them to be able to afford cars.

Still, those friends didn’t get to experience the accomplishment of doing things on their own.

My mother and I had the usual mother/daughter skirmishes of teen life, but I also tried to improve her life.

As a young teen, I tried to convince my mother to wear miniskirts and more makeup so she’d be trendy. I was unaware until years later how ridiculous she would have looked had she taken my advice. But I was trying to modernize her and make her look pretty so people wouldn’t think she was old. She explained why she wouldn’t do that, but I thought she was just being stubborn.

I suppose I’m lucky that I was able to mainly get on with my parents and not lose respect for them. I didn’t say the things about my parents that I heard some of my peers say.

Of course, having always expected my parents to be the wiser heads, at least in most things, it was a shock when, at the end of her life, my mother was unable to make choices that, a few years earlier, would have been obvious to her. The ravages of some diseases are far more disrespectful to parents than some teens can be.

About Books: What Inspires Me?

 

 

Some time ago a friend asked me to write a blog about where I get my inspiration for my novels.  This set into motion my mid-month series of blogs on writing. I’m not sure whether or not I got the assignment right.

Many of those, while they discuss where my inspiration came from for individual novels or series, are more of a summary of the story.

I’ve now covered every series and individual novel not in a series that I’ve written so far.

So, what’s left? Until I finish another novel, not much, really. But I don’t think I really addressed where my inspiration comes from.

I’m not sure I understand how my mind works any more than anyone else does.

Frequently, the image of my mother shaking her head and saying, “I wish I knew what was going on in your head,” comes to mind. She clearly didn’t understand me. In fact, my summary of my relationship with my mother has always been, “She wanted a daughter, and got me instead.”

My thoughts that lead to stories come from all sorts of places. In the case of the Nicholas Keating stories, they started as a single short story that grew into seven. Those seven short stories morphed into two novels, and the other three grew out of a desire to continue to play with those characters a bit longer.

The inspiration for the first of those short stories was simply walking down the main street of my town on a December afternoon after we’d had what is now an early snow. The snow was the dirty shade snow gets several days after a storm. 

The day was overcast, and as I walked along, letting my mind wander, I slipped on some black ice. I didn’t fall; it was just one of those near things. But it reminded me of a pair of high-heeled boots I had in the ‘80s. They were perhaps the most ridiculous things I ever bought.

By the time I returned home, I had the beginnings of the story. A simple thing.

The Dark Faery series had its inception with Stephanie Meyers’ Twilight series. I thought some of the changes she made to the vampire trope were just wrong. But they allowed me to make some interpretations of my own.

While she didn’t inspire me to write a vampire novel, a discussion of her novels with a teenage friend did. I hadn’t considered writing a vampire novel until my friend suggested it. She thought I could do a good job. Personally, I needed a different hook from any I’d seen.

The idea of vampire fairies just kind of flew into my mind. It was one of those things you throw out to see if it sticks to the wall.

And it stuck for 5 novels.

The Schism novels (still unpublished) grew out of my reading two books: The Front Runner, a novel, and And the Band Played On, a work of non-fiction documenting the early years of the AIDS epidemic.

When I was in college, my core group of friends happened to be a group of gay men. They saw me as an ally – or perhaps just a beard, I don’t know and didn’t worry about labels – and wanted me to understand their culture, so they directed me to the novel.

I read it and was furious with the ending. Once again, for absolutely no reason, the author killed off the gay guy, for no better reason than that he was gay. I decided I could write a better gay novel, and there would be no killing off the gay guy.

Then I read And the Band Played On. That book affected me personally, since I knew people who died of AIDS.

The non-fiction piece was the ultimate push for me to write Schism, which begins during the early years of the AIDS epidemic (back when it was still called gay cancer), but – spoilers – the person in the stories who ends up with AIDS isn’t gay. It’s part of my twisted thought processes that I don’t make things easy.

The Unicorn novels started out as a single story about a day in the life of my childhood, which is why The Snow Unicorn, while the blueprint for the subsequent novels, doesn’t exactly follow the idea of the other novels being about a weather event that frightens the main character.

I Think I Will Have to Eat You Now started out as a joke. I wanted to play with children’s novels, but I didn’t especially want to be a children’s book author. I just wanted to see if I could do it.

As it turns out, there’s a formula for writing children’s books. I didn’t know that, and consequently, I didn’t follow the formula. I only knew children’s books needed pictures. I couldn’t afford an artist, since my books aren’t “really” published; they’re only on Amazon, so I drew my own.

Of all of the things I could imagine doing, drawing is the one for which I have the least talent. I was barely able to complete assignments in art class. There was certainly no talent involved.

Well, once, in 5^th grade, I had an art project that was good enough that my teacher actually hung mine up. That was a lucky fluke, and the only time an art project of mine was ever hung up. I was in high school before I could color in the lines – more or less. And my family made no secret of laughing at my attempts at artwork – as they laughed at most of my ideas of what I wanted to be when I grew up.

My 9/11 story, Love of my Life, came naturally from the idea of what it would be like if you were supposed to be in the towers on 9/11.

I heard stories of people who called out sick that day, were running late, or who had just stepped out for coffee right before the planes hit the towers.

There is also a sub-theme of being the favorite child, as well as what if you have a child you simply don’t like. For as short a novella this story is, it tackles a variety of subjects. In a way, it’s as ADD as I am.

Probably my least favorite novel is Fiona Finn. Ostensibly a story about the challenges of being different, it hits close to home.

I spent elementary school being bullied by different people at times, and often simply being excluded. I took that memory and expanded it to include people with challenges.

The fin is a metaphor for any reason others have to not accept you, so anyone can feel included by what Fiona goes through.

I think just reliving the indifference of the adults in my life made me want to get away from the novel. However, I felt it was an important message to put out there.

Wolfbane highlights my weird bent. I had read the Thomas Covenant novels and hated them because I thought the main character was both a drama queen and stupid. He waited until the last possible second to save the day. It didn’t heighten the excitement; instead, his lack made the reader do an eye roll, sigh and say, “Oh, come on!”

So I wrote one in which my character also enters an alternate universe, but who uses whatever he has at hand to accomplish his mission -- without becoming McGyver. While he doesn’t have magical powers, he actually thinks about things. He just doesn't take the alternate universe seriously.

The Search came from my love of things medieval, and is kind of a combination of the renaissance fair and Dungeons and Dragons. And none of these things.

It’s also pulls from the British Royal Family. There was some media hype about Charles being single into his 30s, mainly because at that time the royals still clung to the idea that the heir had to marry a virgin, even though the common man had long since abandoned that notion or caring whether or not the monarchy did. Later, Prince Edward apparently had some words with his father about being single.

While my story has nothing to do with the British Royal Family – or, in fact, with this world, per se, it does involve a young heir who thinks all he needs to do is be the heir and be popular to get on in life.

He knows nothing of the things he’s supposed to study, and has been the cause of more than one scullery maid being dismissed.

It isn’t until his father threatens to disown him that he is forced to buckle down and re-learn things his younger brother and his twin sister can do with ease.

In the course of his study of weaponry he is injured, and on recovering, decides he needs to go on a search, a wandering alone into the deep forest, to prove himself.

Few ever attempt a search, and fewer still return. No heir to the throne has ever attempted it, and his father, the king, is inclined to refuse permission. But he sees that the search is the first thing that has ever kindled any sort of passion in his son, and finally allows him to go.

Usually my current novel is my favorite.

The Invisible Twin, my current novel, is near and dear. I used a lot of information I have about twins from having a mother who is an identical twin, as well as having known many sets of twins in my life. I also enjoy novels where the main character is trying to work out life, since that’s what most of us do on a daily basis.

But my all-time favorite is the Nicholas Keating series. I’ve read those novels several times, and I enjoy them. It actually amazes me that I wrote them. I always feel like I’m reading someone else’s novel.

Until I write another novel, I won’t have any comments on writing to make, so this is my final "About Books" blog for the time being. It’s back to a once-a-month blog. But if anyone has an idea on something you’d like me to write about, let me know.